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SELLING YOUR SCREENPLAY is committed to helping you all the way. From getting your ideas down on paper to pushing open the doors of Hollywood and getting that screenplay sale and/or representation. It's a long road, but you're already here so let's start making it happen.

We offer services that will prove to be a real investment in your screenplay, but if you're not ready you can still hang out and take advantage of all of our writers resources.

Script Express

Script Express is the fastest and most comprehensive e-query service for writers - your screenplay pitch could be making the rounds in Hollywood the very next morning - it's that fast.

An e-query is a lot like a query letter, except of course it's sent by e-mail and is generally far more concise and dynamic in its content. A lot of industry professionals like e-queries, because they are quick, easy to respond to and don't take up a lot of valuable time. In fact, Hollywood has become more switched on to the idea of e-queries and now new screenplays and writers are being discovered every day.

Script Express will take your query and express it into the direct e-mail inboxes of 6,128 (current total) industry professionals, comprising studios, production companies and independent producers, plus 3,623 (current total) agents and managers. No other e-query service comes close. Your e-query does not look like a mass e-mail and all responses are directed to your own e-mail inbox.

Every e-query is personally handled to ensure that your e-query looks professional.

Need some help preparing your query letter? For an additional $50, we'll prepare an effective query letter for your work that can be used for industry submissions. Just signup for our Query Editing Service when purchasing the Script Express service.

Order the Script Express service and you'll also receive a free six month subscription to our Writer's Rolodex, which allows you to research and manage your contacts and submissions!

Click here for a sample e-query letter (in Adobe Acrobat Format).

Currently submitting to the following companies:

Natural Selection; Worldview Entertainment; @Radical Media; 1 Management; 100 Percent Film & Television; 100 to1 Productions (Keegan Wilcox); 100% Entertainment; 100% Terry Cloth; 100% Terrycloth; 100M Films; 1019 Entertainment; 108 Media; 10th Hole Productions; 12 Forward Entertainment; 120DB Films; 1821 Media; 1821 Pictures; 1837 Productions; 19 Entertainment, Ltd.; 1st Miracle Pictures; 20th Century Fox; 20th Century Fox Japan; 21 Laps Entertainment; 21st Century Fox; 24k Black Films, LLC; 25/7 Productions; 26 Films; 2929 Productions; 2B Pictures; 2nd Generation Films; 2nd Life Film Production; 2S Films; 2TheSky Entertainment; 2WayTraffic; 3 Arts Entertainment; 3 Arts Entertainment, Inc.; 3 Ball Entertainment; 3 R Entertainment Group; 3 Stonehouse Crescent; 3:59; 3210 Films (Bennett Davlin, Jesse Newhouse, Anthony Badalucco); 33 Pictures; 3311 Productions; 33andOut Productions; 33AndOut Proudctions; 369 Productions; 3ality Digital Entertainment; 3am Pictures; 3DGenTech Productions; 3GZ Productions; 3N1 Entertainment; 4 Visions; 408 Films; 42; 44 Blue Productions, Inc.; 4th Row Films; 5 Nen D Gumi; 51 Minds Entertainment; 57th & Irving Productions; 59 Management; 59th Street Films; 5th Quarter Productions; 6 Degree Media; 6 Pictures; 7&7 Producers Sales; 72 Productions; 72nd Productions; 777 Group, Ltd.; 7Ate9 Entertainment; 7Gorillas; 7Ponies Productions; 7th Floor, The; 821 Entertainment Group; 8790 Pictures, Inc.; 8th Wonder Entertainment; 9 Story Media Group; 9.14 Pictures; 900 Films; 90210 Talent Agency; 928 Talent Management; A Band Apart; A Band Apart (Quentin Tarantino); A Bird's Eye Productions; A Management; A Picture Of You; A Snowball's Chance; A Superior Breed of Wannabees; A&E Network; A. Smith & Company Productions; A.C. Lyles Productions, Inc.; A.D.S. Management; A.L. Films, LLC; A2 Entertainment Group; A71 Productions; Aardman Animations; Aardwolf Entertainment; Aaron M. Priest Literary Agency; Abandon Pictures; Abandon Pictures, Inc.; Abbolita Productions; Abby Grey Productions; Abby Lou Entertainment; ABC Family; ABC Management Group; ABC Studios; Aberration Films; Abominable Pictures; About Entertainment; Abramorama; Abrams Artists Agency; Abrams Artists Agency (LA); Abrams Artists Agency (NY); Absolute Productions; Acappella Pictures; Accelerate Entertainment; Accelerated Entertainment; Accelerator Films; Access; Accidental Media; Aciem Studios; ACM Talent; Acort International; Across The Board Talent Agency; Act 4 Entertainment; Act III Productions; Act III Productions (Norman Lear); Act One Talent; Action; Action American Entertainment; Action!!! 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ChicagoFims; chickflicks; Chill Films; Chiodo Bros. Productions, Inc.; Chi-Town Films; Chockstone Pictures; Chris/Rose Productions; Christiano Film Group; Christoper R. Coppola Productions; Chrome Artists Management; Chromosome22 Films; Chuck Fries Productions, Inc.; Cilibrasi & Associates, Inc.; CIMA Productions, Inc.; Cindy Cowan Entertainment, Inc.; Cine Mosaic; Cine Paris; Cine/Lit; Cinearte; Cineaste Group; Cinedigm; Cinegroupe; Cinelou Films; Cinema Epoch; Cinema Investment; Cinema Libre Studio; Cinema Parisien; Cinema Revival, Inc. (Scott William Alvarez, David W. Johnson); Cinema Tex; Cinemagic Entertainment; Cinemalogical; Cinemantics LLC; Cinemastreet, LLC; Cinematek Film & Television; Cinepro Pictures International; Cinequest Mavericks Studio; Cinereach; Cinergi; CineSon Productions; Cinetel Films; Cinetic Management; Cinetic Media; Cineview Productions; Cineville/Keystone Studios; Cinnamon Productions, Inc.; Cinterra Pictures; Cipher Films; Circa Film; Circle of Confusion; Circle of Friends Productions; Circus Road Films; Citizen Skull Productions; City Lights Media Group; City Lights Pictures; Civilian Pictures; Clarendon Entertainment; Clarity Pictures, LLC; Clarius Capital Group; Clark Management Company; Class of 79 Productions; Claymore, Inc.; Clear Pictures Entertainment Inc.; Clear Scope Media; Clear Slate Films; Clear Talent Group; Clearview Productions; Clock Tower Productions; Cloud 9 Media Group; Cloud Nine Pictures; Cloud Productions/The Olen Company; Cloudy Sky Films; CMA Entertainment; CMI Entertainment; Coach House Studios; Coalition Films; Coalition Group; Coast To Coast Talent Group, Inc.; Coastal Entertainment Productions; Cobblestone Films; Cocoon; Code 3 Films; Code Entertainment; Code Film Inc.; Codeblack Entertainment; Cogito Works; Cohen Media Group; Cohen Pictures; Coin Film; Cold Iron Pictures; Cole Schotz Meisel Forman & Leonard PA; Coliseum Pictures Corporation; Coll-Abbitt Productions; Collaborative Artists; Collective, The; Colleen Camp Productions; Colomby Films; Color Bird Inc.; Color Force; Color of Love Production; Colossal Entertainment; Colours TV Network; Colucci Films; Columbia Artists Management, Inc.; Columbia Artists Management, LLC; Columbia Pictures; Columbia Tristar Motion Picture Group; Come Aboard Productions; Comedy Central; Comedy Central (LA); Comedy Central (NY); Comerica Entertainment Group; Comet Pictures; Committed Artists Entertainment; Common Ground Productions; Commonwealth Film Manufacturing; Commonwealth Talent Group; Companion Pictures; Company 3; Company Name; Company Pictures; Compass Entertainment; Compass Films; Completion Films; Complex Films; Con, The; Concept Entertainment; Concorde-New Horizons; Concrete Entertainment; Conglomerate Media; Connection III Entertainment Corp; Connection III Entertainment Corp.; Conquistador Entertainment; Consortium Entertainment; Constantin Film; Constantin Film Development, Inc.; Contemporary Talent Partners (CTP); Content & Pressman Films; Content House; Content Media Corporation; Content Partners; Contentfilm; Contentfilm (LA); Contentfilm (London); Contento Pictures; Continental Entertainment Group; Contrafilm; Converge Media Group; Convergent Media; Conversation Company, Ltd., The; Conway van Gelder Grant; Cookie Jar Entertainment; Cookie Jar Entertainment (LA); Cooper Company, The; Cooper's Town Productions; Copperheart Entertainment; Core, The; Corner of the Sky Entertainment; Corner Store Entertainment; Cornerstone Literary, Inc.; Cornerstone Management; Corniche Pictures; Coronel Group; Coronet Films; Corymore Productions; Cossette Productions; Course Management; Court Five; Covert Media; Cowboy Films; CP Productions; CPC Entertainment; CPM Creative; Crackle; Craig Anderson Productions; Craig Wyckoff & Associates; Crave Films; Craven Corner Enterprises; Crazydreams Entertainment; CRC Entertainment; Cre8tive Works; Cream Productions; Creanspeak Productions, LLC; Create Entertainment; Created By; Creation Film and Television; Creative Artists Agency; Creative Artists Management; Creative Associates Limited; Creative Capers Entertainment; Creative Content Management; Creative Convergence; Creative Enterprises Management; Creative Entertainment Group; Creative Haven Entertainment; Creative Management Group, LLC; Creative Projects Group; Creative Rebellion; Creative Visions; CreativeWorks Entertainment; Creativity Media; Creature Entertainment; Crest Animation Productions; Crime Scene Pictures; Crimson Forest Entertainment Group; Crispy Films; Criterion Group, The; Cross Creek Pictures; CRPI Entertainment; Crucial Pictures; Crumbley Productions; Cruqui Cracker Productions; Crybaby Media; Crystal Lake Entertainment; Crystal Lake Entertainment, Inc.; Crystal Sky Pictures; Crystal Sky Pictures, LLC; Crystal Spring Productions; CSM Communications; CSP Mangement; C-Station; CTI Artists Management; Ctonic Flikz; Cuatro Plus Films; CubeVision; Cue Agency; Cufflink Productions; Cunningham Escott Slevin & Doherty (CESD); Curb Entertainment; Curious Pictures; Curtis Brown Group; Curtis Brown, Ltd.; Cutting Edge Film and TV; Cutting Edge Group; Cutwater Media; Cyan Pictures; Cyfuno Ventures; Cylence; Cynce Media; Cypress Films; Cypress Films, Inc.; Cypress Point Productions; D Films; D Street Pictures; D&E Entertainment; D. Petrie Productions, Inc.; DAA Management; Dade/Schultz Associates; Dahlia Street Films; Dakota Pictures; Damage Inc.; Damn Good Entertainment; Dan Curtis Productions; Dan Films; Dan Lupovitz Productions; Dan Wigutow Productions; Daniel Hoff Agency; Daniel L. 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Emjag Productions Inc.; Empire Management Group; Empire Pictures Incorporated; Emu Films; Encore Artists Management; Enderby Entertainment; Endgame Entertainment; Endless Media; Endless Moon Productions; Endorse Management Group; Energy Entertainment; Engelman Productions, Tom; Engine 96; Enlightenment Productions; Ensemble Entertainment ; Enteraktion Studios; Entertainment Lab; Entertainment One Group; Entertainment Studios, Inc.; EnTheon Entertainment; Entitled Entertainment; Enuff Productions; Envision Media Arts; Envoy Entertainment; Epic Artists Films; Epic Level Entertainment; Epic Level Entertainment, Ltd.; Epic Pictures Group; Epicita / Nadifilm; Epigram Entertainment; Epigram Management; Epiphany Pictures; Epiphany Pictures, Inc.; Epitome Pictures Inc.; Epoch Films; Equilibrium Entertainment, LLC; Equilibrium Media Company; Errant Press; Escape Artists II; Esperanza Films; Esperanza Productions; ESPN Original Entertainment; E-Squared; Essential Entertainment; Essential Pictures; Essential Talent Management; Eurobridge TV Intl.; Europacorp Films; Evamere Entertainment; Evans Company, The Robert; Evans Management; Evatopia; Evenstar Films; Ever So Close; Evergreen Films, Inc.; Evergreen International Management; Everyman Pictures (Jay Roach); Everywhere Studios; Evolution; Evolution Entertainment; Evolution Media; Evolutionary Films; Evolving Pictures Entertainment; Evolving Productions; Excelsior Pictures; Exclusive Media Group & Spitfire Pictures; Exile Entertainment; Exodus Film Group; Exxcell Entertainment, Inc./Exxcell Films; Exxcell Entertainment, Inc./Exxcell Films (Diane Ladd); Eye on the Ball Films, Inc.; F.&.M.E./ Film & Music Entertainment; Fabrica De Cine; Fabrication Films; Face Productions; Face Productions/Jennilind Productions; Face Productions/Jennilind Productions (Billy Crystal); Face Punch Entertainment (Peter Berg); Face/Jennilind Productions; Factory Entertainment Group; Factory Film Studio; Fade In Films; Fake Empire; Falconer Pictures; Famous Davis Productions; Fandom Entertainment; Far Hills Pictures; Farah Films & Management; Farber Literary Agency; FarbFilm-Verleih; Farmhouse Productions; Farris Literary Agency; Fast Carrier Pictures; Fastback Pictures; Fastlane Entertainment; Fastnet Films; Fauci Productions; Faye Schwab Productions / MMA, Inc.; Fear Film; Fearless Films; Fearmakers Studios; February Films; Federal Bureau of Entertainment; Federgreen Entertainment; Feigen Parrent Literary Management; Feldman Company, The; Femme Fatale Pictures; Femmewerks Productions; Ferguson & Associates Talent/Literary Agency, Sylvia; Festa Entertainment; Feverpitch Pictures / Framelight Productions; FGM Entertainment; Fiddler Films; Field Cech Murphy Agency, The; Fierce Entertainment; Fierce Entertainment, LLC; Fifi Oscard Agency, Inc.; Fifth Floor Pictures; Fifty Fathoms Productions; Figa Films; Filament Productions; Film; Film 44; Film and Music Entertainment; Film Bridge International; Film Crash; Film Department, The; Film Harvest; Film House Germany; Film It Productions; Film Rites; Film Roman, A Starz Company; Film Sales Company; Film Science; Film4; Filmcolony; FilmDistrict; Filmed Imagination; FilmEngine; Filmmakers; FilmNation Entertainment; FilmNation Entertainment LA; FilmNation Entertainment NYC; filmscience; Filmsignal; Filmsmith; Filmstreet Productions; Final Cut Productions, Inc.; Find Enterrtainment, LLC; Findelle Management, Stann; Fineman Entertainment; Fineprint Literary Management; Finerman Prods., Wendy; Finest Hour Films/Studio 108; Fiore Films, LLC; Firebrand Productions; Firefly; Firestarter Entertainment; Firm, Inc., The; First Born Films; First Cold Press Productions; First Earth Entertainment; First Entertainment; First Independent Pictures; First Light; First Look Talent & Literary Agency; First Run Features; First Take Media; Five By Eight Productions; Five Mile River Films; Flame Ventures LLC; Flashlight Films; Flashpoint Entertainment; Flat Black Films; Flatiron Pictures; Flavor Unit Entertainment; Flavor Unit Entertainment (Queen Latifah); Flickbag Inc ; Flip Side Film; FlipThisTrumpCard Productions; Floating Island Productions; Floren Shieh Productions; Flower Films, Inc.; Flutie Entertainment; Flying A Studios; FMA Management, Inc.; Foco Films; Focus Features; Focus Films; Folio Literary Management, LLC; Footprint Features; Forbes Entertainment; Foremost Films; Forensic Films, Inc.; Foresight Entertainment; Foresight Unlimited; Forest Hill Pictures; Forget Me Not Productions; Form.B Entertainment; Formosa Films; Fortissimo Films; Fortitude International; Fortress Features; Fortune Films; Forward Entertainment; Foundation Entertainment; Foundation Features; Foundation Management; FourBoys Entertainment; FourSight Entertainment; Fourth Floor Productions; Fourth Row Films; Fox 2000; Fox 2000 Pictures; Fox Digital Studios; Fox International Productions; Fox Searchlight Pictures; Foxboro Company, Inc., The; FR Productions; Fractal Features; Frame 29 Films; Framework Entertainment; Fran Saperstein Organization; Franchise Pictures; Frank Abatemarco Productions; Frazier | Chipman Entertainment; Fred Dryer Productions; Frederator Studios; Frederic Golchan Productions; Frederick Zollo Productions, Inc.; Freefall Films; Freeman Film; Freeman Productions, Joel; Freeze Frame Entertainment (NY); Frelaine; Fremantlemedia North America; Fremantlemedia North America, Inc.; Frequency Films; Fresh & Smoked; Fresh and Smoked; Fresh Faces Agency, Inc.; Fresh Films; Fried Films; Fried Films (Rob Fried); Friendly Films; Front Street Pictures, Inc.; Frontier Pictures; Frontline Management; Frontlot Productions; Frost Pictures; FRP Literary-Talent Agency; FTL Company, The; Fuel Filmworks; Full Circle Management; Full Moon Features; Full Picture; Full Plate Productions; Fuller Films, Inc.; Fulton Market Films; Fulton Street Films; Fulwell 73; Fun Little Movies; Fundamental Films; Funimation Entertainment; Funny Boy Films; Funny Or Die, Inc.; Furst Films; Fuse Entertainment; Fusion Film House; Future Films USA; G It's Entertainment; G/Box Productions; G4; Gaga; Gage Group, Inc., The (LA); Gaiam Vivendi Entertainment; Gainax; Gal Films, Ltd.; Galan Entertainment; Galatee Films; Gallagher Literary Management; Gallant Entertainment; Garden Thieves Pictures; Garlin Pictures; Garlin Pictures, Inc.; Gary Hoffman Productions; Gary Sanchez Productions; Gary Smith Company; Gateway Management; Gatsby Group Inc., The ; Gaucho Productions; Gaylord Films; Gearshift Films; Geek Pictures; Gel Entertainment; Gelff Agency, Laya; Gem Entertainment Group, Inc.; Gemstone Talent Management; Gene Simmons Company, The; General Entertainment; Generate; Genext Films; Genre Films; Genrebend Productions, Inc.; George Schlatter Productions; Georges Borchardt, Inc.; Gerber Pictures; Gerler Agency, The; Gersh; Gersh (LA); Gersh (NY); Get Set Films; GFM Films; GG Filmz; Ghettosuburbia Entertainment; Ghost House Pictures; Ghost House Pictures (Sam Raimi, Rob Tapert); Ghost Robot; Gi Pictures; Giant Films; Giant Screen Films; Gibson Productions; Gidden Media; Gigantic Pictures; Gigantic Pictures (I); Gigantic Pictures (III); GigaPix Studios; Gigi Garner Management; Gil Adler Productions; Gilbert Films; Gilt Enter Films; Gina Maccoby Literary Agency; Ginnungagap Filmwerks; Giraffe Productions; Girls Club Entertainment; Gitlin Productions; Gittes, Inc.; Give & Take Productions; GK Films; Glass Attic Films; Glass Man Films; Glick Agency, The; Glix Entertainment; Global Artists Agency; Global Horizon Entertainment; Global Media Television; Global Network Pictures; GlobalWatch Film Productions; Glory Road Productions; GMR Productions; Go Girl Media; Go Go Luckey Productions; Go Long Productions; God's Dream; Goff-Kellam Productions; Goin' Ballistic; Gold Circle Films; Goldcrest Films; Goldcrest Films (London); Goldcrest Films (NY); Goldenlight Films; Goldenring Productions; Goldsmith Entertainment Company; Goldsmith/Yuspa Productions; Goldstreet Pictures; Gone Off Deep; Good Names Taken Productions; Good To Be Seen Films; Good Universe; Goodman Company, The; Goodman/Rosen Productions; Gordon and French; Gordonstreet Pictures; Gorilla Pictures; Gotham Entertainment Group; Gotham Group; Gotham Group, Inc., The; Grace Hill Media; Grace Talent Organization; Gracie Films; Grade A Entertainment; Graham/Rosenzweig Films; Grainy Pictures; Gran Via Productions; Grand Cheval; Grand Hustle Entertainment; Grand Peaks Entertainment; Grand Productions, Inc.; Grandview; Grant, Savic, Kopaloff and Associates; Gray Eminence Productions GmbH; Graymark Productions; Graymark Productions, Inc.; Grazka Taylor Productions; GRB Entertainment; Greasy Entertainment; Great Meadow Productions; Great Point Media; Gree; Green & Associates Talent Agency; Green Communications; Green Hat Films; Green Moon Productions (Antonio Banderas/Melanie Griffith); Green Room, The; Green Valley Entertainment; Green/Epstein/Bacino Productions; Greenberg Group, The; Greene Management/Productions, Melanie; Greenestreet Films; Greenroom Entertainment; Greenstem Enterprises; Greentrees Films; Greenwald Productions, Robert; Greenwood Avenue Entertainment; Grey Line Entertainment; Grey Line Entertainment Inc.; Greyshack Films; Greystone Television and Films; Grindstone Entertainment Group; Grinning Dog Pictures; Grisham Films USA; Grizzly Adams Productions; Grosso Jacobson Communications Corp. (LA); Grosso Jacobson Communications Corp.(NY); Gross-Weston Productions; Groundswell Productions; Group Entertainment, The; Grunberg Film; Gryphon Films; Guardian Entertainment; Guardian Entertainment, LTD ; Guardian Studios; Gundelach; Gunn Films; Gurin Company, The; Gurman Agency, LLC, The Susan; Guy Walks Into A Bar; GVA Talent; GVA Talent Agency, Inc.; Gywn Foxx Talent Agency; H. David Moss & Associates; H2 Productions; H2F Entertainment; H2O Motion Pictures; Haber Entertainment; Haft Entertainment; Hal Lieberman Company, The; Halcyon Valor Productions; Halestorm Entertainment; Halfire Entertainment; Halifax Film Company; Halo Entertainment; Hamilburg Agency, The Mitchell J.; Hamilton-Mehta Productions; Hand Picked Films; Handmade Films; Handmade Films (NY); Handpicked Films; Handprint Entertainment; HandsomeCharlie Films (Natalie Portman); Hannibal Pictures; Hannover House; Hanns Wolters International, Inc.; HansomeCharlie Films; Hanway Films; Happy Madison; Happy Madison Productions; Hard Working Movies; Harden-Curtis Associates; Hardline Productions and Entertainment; Hardy, Son and Baker; Harold Ober Associates; Harpo Films, Inc. ; Harpo Films, Inc. - LA (Oprah Winfrey); Harriet Sternberg Management; Harris Company, The; Hart Entertainment; Hartbreak Films; Hartswood Films; Harvey Klinger, Inc.; Hasbro, Inc./Hasbro Studios; Hassman Fitzgerald Entertainment; Hat To The Back Productions; Hat Trick Productions; Hatchery, The; Haugland Productions, David; Haven Entertainment; Hawkes Bay Productions; Hayden Reels; Haymaker; Hays Media; Hazen Talent Management; HDFilms Inc; HDNet Films; Headline Pictures; Hearth Creative; Heartrock Pictures; Heavy Duty Entertainment; Hecht Company, The; Heel and Toe Productions; Heitmann Entertainment; Hella Good Moving Pictures; Heller Productions, Rosilyn; Hemisphere Entertainment; Henceforth Pictures; Henderson Hogan Agency; Henderson Productions; Henderson Represents; Henderson/Hogan Agency; Henderson/Hogan Agency (NY); Hephaestus Entertainment & Travel Group; Here Media, Inc.; Hero Entertainment; Heroes and Villains Entertainment; Herold Productions; Herrick Entertainment; Heyday Films; Heyday Films (LA); Heyday Films (UK); Hideon Productions; High Concept Management; High Integrity Productions; High Seas Entertainment; High Star Entertainment; High Treason Productions; Highroad Entertainment; Hill & Barlow Agency, The; Himber Entertainment; Hines & Hunt Entertainment; Hinterland Studios; Hippofilms; Hit & Run Productions; Hit & Run Productions, Inc.; HIT Entertainment; Hofflund Company, The; Hohman Maybank Lieb; Holcomb Productions, Rod; Holding Pictures; Hole In The Wall Productions; Holly Wiersma Productions; Hollywood Film Office; Hollywood Independents; Hollywood Network; Hollywood Sunset Pictures Inc.; Homegrown Films; Homegrown Pictures; Homegrown Pictures, Inc.; Honest Engine Films; Honest Engine TV; Hook Entertainment; Hopscotch Pictures; Horizon Entertainment; Horizon Entertainment (Canada); Horizon Entertainment (US); Hornick Films; Hotchkiss & Associates; Houndstooth; House of Representatives; Howard Entertainment; HQ Pictures; HSI Entertainment; HSI Productions; Hudson Film Group; Hudson Productions; Hughes Capital Entertainment; Humanoids; Humble Journey Films; Humble Journey Films (Eriq La Salle); Hung Entertainment Group; Hungry Eyes Film and Television; Hunting Lane Films; Huntsman Entertainment; Hurricane Entertainment Films; Hutch Parker Entertainment; Hyams Productions, Inc., Peter; Hyde Park Entertainment; Hydraulx; Hyler Management; Hyman, Ellen; Hyperion Studio; Hypnotic/Dutch Oven; i5 Films; Ibid Filmworks; Icarus Films; Iceman Productions; Ichigo Ichie Films; ICM; Icon Productions, Inc.; Iconic Media Productions; Iconomy, LLC ; Idea Factory, The; Ideal Entertainment; Ideal Talent Agency; Identity Agency Group; Identity Films; Identity Talent Agency, The; Idiot Savant Pictures; IFA Talent Agency; IFC (Independent Film Channel); IFC Films; IFM Film Associates; IFM Film Associates Inc.; Illumina Productions; Illumination Entertainment; Illusion Industries; IM Global; Imagemovers; Imagenation Abu Dhabi; Imageries Entertainment; Imagi Services (USA) Limited; Imagina US; Imaginarium Entertainment Group; Imaginary Forces; Imagination 9; Imagine Entertainment; Imagine Entertainment (Ron Howard & Brian Grazer); IMAX Corporation; IMG Media; IMG/Broadcasting; Immersion Management; Impact Artists Group, LLC; Impact Pictures (Jeremy Bolt, Paul Anderson); Impact Productions; Impaler Film Studios; Imparato/Fay Management; Imperative Entertainment; Imprint Entertainment; In Cahoots; In Front Productions; In The Dark Entertainment; Incendiary Features; Incognito Pictures; Indalo Productions; Independent; Independent Film Sales; Independent Group, The; Independent Talent Group; Independent Together, Ltd.; India Take One; Indian Paintbrush; Indian Paintbrush (LA); Indie Genius Productions; Indie Rights; Indievest Pictures; Indigenous Film Works; Indigenous Media; Indigo Films; Indomitable Entertainment; Industry Entertainment; Industry Entertainment Partners; Inevitable Film Group; Inferno Film Productions; Infinitum Nihil; Infinitum Nihil (Johnny Depp); Infinity Management International; Infinity Media, Inc.; Informant Media; Informant Media, Inc./Cairo Simpson Entertainment, Inc.; Ingenious Film Partners; Ink Factory; Inkwell Management; Innercircle Management; Innovative Artists; Innovative Artists (LA); Inphenate; Insanity Filmworks; Insight; Insight Entertainment Group; Insight Film Studios, LTD; Insomnia Media Group; Inspire Entertainment; Intandem Films; Intellectual Property Group; Intercom Entertainment Inc.; Intercultural Link; Interfilm; Interlight; Interloper FIlms; Intermedia Film Equities USA, Inc.; Intermedia Films (UK); International Artists Group, Inc. (FL); International Artists Management; International Arts Entertainment; International Creative Management; International Creative Management (ICM-LA); International Creative Management (ICM-NY); International Digital Artist (IDA); International Film Group; International Literary Representation & Management; International Production Company; Interscope/Shady/Aftermath Films; Intervision Partners; Intrepid Pictures; Intrigue; Intrinsic Value Films; Intuition Productions; Invictus Entertainment Group; Invincible Pictures; IPC Films; Irene Webb Literary; Irish Dreamtime; Ironclad Pictures; Ironworks Production; Irv Schechter Company, The; Irwin Entertainment; Is Or Isn't Entertainment; Is or Isn't Entertainment (Lisa Kudrow); Ish Entertainment; Ishihara Productions; Itchy Productions; Ithaka LLC; ITV Studios, Inc.; ITV Studios, Inc. (LA); ITV Studios, Inc. (NY); Ivanhoe Pictures; Ivy Films; IWP/Gemini; J.K. Livin Productions; J.K. Livin Productions (Matthew McConaughey, Gus Gustawes); Jackhole Industries (Jimmy Kimmel); Jackson Artists Corporation; Jacobs Entertainment, John ; Jago Ciro Entertainment; Jaime Monroy Studios; Jake Films; Jamaad Productions; James Bryan Films; James Morgan Films; James Peter Associates Inc.; Jamie Kennedy Entertainment; Jane Rotrosen Agency; Jane Startz Productions, Inc.; Jane Street Entertainment; Janicek Entertainment; Janicek-Media Creative/Cumulus Entertainment; Janicek-Media Creative/Cumulus Entertainment (Denver); Janklow & Nesbit Associates; Janna E. Gelfand Productions; January Films; Jar Pictures; Jaret Entertainment; Javelina 98 Productions; Jax Media; Jay & Tony Show Productions; Jay Silverman Productions; Jay Simone Talent; Jean Doumanian Productions; Jeff Dowd & Associates; Jeff Goldberg Management; Jeff Herman Agency, LLC; Jeff Rice Films; Jeff Ross Entertainment, Inc.; Jeff Wald Entertainment; Jeffrey Loseff Management; Jerry Bruckheimer Films & Television; Jerry Weintraub Productions; Jersey Films; Jet Tone Productions; Jibjab Media Inc.; Jim Henson Company, The; Jim Keeshen Productions; Jim Preminger Agency, The; Jim Wedaa Productions; Jinks/Cohen Company, The; JKA Talent & Literary Agency; Joan Stein Productions; JoAnne Roberts Productions; Jobro Productions and Film Finance; Joda Productions/Hollywood West Inc.; Jody Rein Books, Inc.; Joel Films; Joel Stevens Entertainment; Joey Edmonds Entertainment; John Baldecchi Productions; John Brister Films; John Calley Productions; John Carrabino Management; John Fogel Entertainment Group; John Goldwyn Productions; John Hawkins & Associates; John Morrissey Productions; John Sobanski Management; John Wells Productions; Johnenelly, Inc. Productions; Johnson Brothers Productions; Jon Klane Company, The; Jonesing Pictures; Jorgensen Pictures; Jorva Productions; Joseph Le Talent Agency; Joseph Rapp Enterprises, Inc.; Josselyne Herman & Associates; Josselyne Herman & Associates/Urban Dream Enteratainment; Josselyne Herman & Associates/Urban Dream Entertainment; Journey Productions; Joy Harris Literary Agency, The; JTN Productions; JTN Productionsl; Judy Boals, Inc.; Judyo Productions; Junction Entertainment; Junction Films; June Beallor Productions; June Entertainment; Jungle; Jungle Walk; Just Media; Just Singer Entertainment/Steve White Films; Juvee Productions; K Period Media; K2 Pictures, Inc.; K5 Film GmbH; K5 Media Group; Kahn Power Pictures; Kaleidoscope Entertainment; Kallen Literary Agency, Leslie B. ; Kalman & Pabst Photo Group; Kalyan Studios; Kamkol Productions; Kana Tomoko Productions; Kapital Entertainment; Kaplan Stahler Agency; Kaplan, Marty; Kaplan, Stahler, Gumer, Braun Agency; Kaplan/Perrone Entertainment; Kaplan/Perrone Entertainment, LLC; Kaplan-Stahler Agency, The; Karch Brothers Entertainment; Karma Entertainment; Kartemquin Films; Karz Entertainment; Kasander Productions Ltd.; Katco; Kathleen Schultz Associates; Kazarian/Measures/Ruskin & Associates; Kazumo; KC Talent; KDX Productions; Keckins Projects, Ltd.; Keeve Productions; Kekule Productions; Keller Entertainment; Keller Entertainment Group; Ken Gross Management; Ken Sherman & Associates; Kennedy/Marshall Company; Kenneth Johnson Productions; Kensington Communications; Kensington Entertainment; Kentucky Film; Kenwright USA/Bill Kenwright Ltd; Kerin-Goldberg & Associates; Kerner Management Associates (KMA); Keshet Media Group; Kestrel Communications; Ketay Agency, The Joyce; Kettledrum Films; Key Creatives, LLC; Keylight Entertainment; Keystone Entertainment, Inc.; KFM Productions; KGB Films; Kicked Down Productions; Kickstart Productions; Killer Films, Inc.; Kim and Jim Productions; Kind Management; Kindai Eiga Kyokai; Kinesis Entertainment, Inc.; Kinetic Filmworks; Kinetic Management; King, Ltd., Archer; Kingdom County Productions; Kingman Films International; Kingsgate Films, Inc.; Kino Films; Kino International; Kino Lorber; Kintop Pictures; Kirmser Ponturo Group; Kismet Entertainment Group; Kjar & Associates; KLA Productions; Klasky Csupo; Klasky Csupo, Inc.; Klasky-Csupo; Kleiser-Walczak; Klockworx, The; Knightsbridge Media; Koan; Kodiak Resource Development; Kokuei Company; Komixx Entertainment; KoMut Entertainment; Konigsberg Company, The; Konwiser Brothers; Koopman Management; Kopelson Entertainment; Kosberg Productions, Robert; Kouwa International; Krainin Productions, Inc.; Krane Media, Inc.; Krasnoff Foster Entertainment; Kremlin Films; Kristine Krupp Talent Agency; Kritzer Entertainment; Kritzer Levine Wilkins Griffin Entertainment; Krofft Pictures; Krofft Pictures Corp., Sid & Marty; Kudos Film & Television; Kudos Film and Television; L. Perkins Agency; LA Literary Agency, The; LA Management; La Place Management; Lady In The Tree Productions; Laetitia; LAF Studios; Laguna Productions; Lahey/Brenner Company, The; Laika, Inc.; Lake Camp Productions; Lake Paradise Entertainment; Lakeshore Entertainment Group; Lakeshore Entertainment Group LLC; Lampoon Talent Group; Lancaster Productions, David; Lance Entertainment Inc.; Landers Group, The; Landis - Simon Productions & Talent Management; Landis-Simon Productions & Talent Management; Landrum Arts; Landscape Entertainment; Lane Management Group; Lang Entertainment Group, Inc.; Langley Park Pictures; Langley Productions; Lara Rosenstock Management; Larco Productions, Inc. (Larry Cohen); Larkin-Goldstein Productions; Laroda Group, The; Larry Thompson Organization; Lascaux Films; Lashbrook Films, Rick; Last House On The Right Productions; Last Minute Films, Inc.; Latin Hollywood Films; Latin World Entertainment; Latte-Da Productions, Inc.; Laugh Factory Entertainment; Laughing Cow Productions; Launa Newman Productions (LNP); Laura Bickford Productions; Laurence Mark Productions; Laurie Goldstein/Nightstar Productions; Lava Bear; Lavin Entertainment Group; Lawless Entertainment; Laya Gelff Agency; LBI Entertainment; Lbyl Films Sales and Distribution; LD Entertainment; Lee Attractions, Inc., Buddy; Lee Daniels Entertainment; Lee Productions, Michele; Leeza Gibbons Enterprises (LGE); Left Bank Pictures; Legacy Entertainment Partners; Legacy Filmworks Ltd.; Legendary Entertainment; Legendary Pictures; Legende Films; Lenhoff & Lenhoff; Leo Films and Urban Movies; Leopard Films; Les Films D'Antoine; Les Films Seville; Leslie Iwerks Productions, Inc.; Letnom Productions; Levantine Entertainment; Level 1 Entertainment; Level Seven Films; Leverage Management; Levine Greenberg Literary Agency; Levine Management; Levinson/Fontana Company, The; Levitation Studio; Levity Entertainment Group; Levy Enterprises, Michael I.; Lex Filmed Entertainment; Liaison Films; Liddell Entertainment; Lieberman Company, Hal ; Liebman Entertainment; Lifeline Entertainment; Lifesize Entertainment; Lifetime Networks; Light Brigade Films; Lighthouse Entertainment; Lighthouse Productions; Lightning Bolt Films; Lightning Entertainment; Lightship Entertainment; Lightstorm Entertainment (James Cameron); Likely Story; Lilac Productions; Lily's Talent Agency, Inc.; Lin Oliver Productions; Lin Pictures; Linda Publishers; Linda Reitman Management; Line Communications; Link Entertainment; Linn Sand Agency; Lion Rock Productions; Lions Gate Entertainment; Lionsgate; Lipsync Productions; Liquid 9; Liquid Comics; Liquid Theory; Lisa Richards Agency; Literary Group, The; Little Airplane Productions; Little Engine Productions; Little Island Productions; Little Magic Films; Little More Co.; Little Red Hen Entertainment; Litwest Group, LLC; Liveplanet; Liveplanet (Matt Damon, Ben Affleck); LJ Film; LJS Communications; LLeju Productions and Films; Lloyd Entertainment; LMNO Productions; Locke Productions, Peter; Locomotive; Logistics Cinema Production; Logo Entertainment; Londinium Films; Londonderry Entertainment; Lone Star Film Group; Lone Star Pictures International; Lone Wolf Media; Lonetree Entertainment; Longbow Productions; Longfellow Pictures; Look Out Point; Lookout Entertainment; Loreen Arbus Productions, Inc.; Loretta Barrett Books, Inc.; Loring Productions, Lynn; Lost City; Lost Prophets Pictures; Lotus Entertainment; Lotus Pictures; Lou Coulson Associates; Louis Digiaimo & Associates, Ltd.; Louverture Films; Luber Rocklin Entertainment; Luber Roklin Entertainment; Lucas Talent; Lucas Talent, Inc.; Lucid Logic Productions; Lucky Crow Films; Lucky Day Studios; Lucky Doc Productions; Lucky Hat Entertainment; Luedtke Agency, The; Lumanity Productions; Lumenas Studios; Luminair Entertainment; Luna Ray Films; Lunaria Films; Lynda Obst Productions; Lynn Pleshette Literary Agency, The; Lynx Filmworks; M International Talent Agency; M Management ; M. M. Gertz Entertainment; M8 Entertainment; Macdonald Productions, William J.; Mace Neufeld Productions; MacFarlane Chard Associates Ltd.; Macht Entertainment Group; Mack Muse Entertainment, Inc.; MacKenzie Entertainment; Macromanagement; Mad Chance; Mad Hatter Entertainment; Mad Horse Films; Mad Samurai Productions; Madbrook Films; Madhouse Entertainment; Madhouse Studio, Inc.; Madison Road Entertainment; Madjack Entertainment; Madrose Productions; Magar Films, Guy; Magic Lantern Entertainment; Magic Light Pictures; Magicfying Films; Magnet Management; Magnet Releasing; Magnolia Entertainment; Magnolia Pictures; Maguire Entertainment; Maier Management; Main Attraction Films; Main Street Films; Maj Canton Productions; Majestic Services; Mak Company, The; Maker Studios; Makotoya; Malone Pictures; Maltman Entertainment; Man In Hat; Managed Passion Films; Management 101; Management 360; Management Production Entertainment; Managing Artistic Concepts; Mancat Films; Mandalay Pictures; Mandate Pictures; Mandeville Films; Mandt Bros. Productions; Mandy Films; Manifest Film Company; Manis Film; Mankind Entertainment; Mansion Comics & Earthangels Literary Management; Manta Entertainment; Manus & Associates Literary Agency, Inc.; Marathon Entertainment; Marble Films; Marc Bass Entertainment Group (MBEG); Marc Production Enterprises; Marcelli Company, The; Marcus Bryan & Associates; Maria; Maria Carvainis Agency, Inc.; Marianne Strong Literary Agency; Marina Motion; Marion Rosenberg Office, The; Mark Castro; Mark Gordon Company; Mark Gordon Company, The; Mark Victor Productions; Mark Yellen Productions; Markerstone Pictures; Markham Street Films; Marlowes; Marsh Entertainment; Marshak/Zachary Company, The; Martin Chase Productions; Martin Literary Management; Marty Katz Productions; Marty Shapiro Management; Marv Dauer Management; Marvel Studios; MarVista Entertainment; MarvVsta Entertainment; Mary Jane Skalski; Mary Tahan Literary Agency; Mas and More; Masimedia; Mass Hysteria Entertainment; Massive Film Project; Matador Pictures; Matriarch Multimedia Group; Matrixx; Matt Battaglia Productions; Matthau Company, Inc., The; Maureen Donley Pictures; Maven Pictures; Maverick Entertainment Group; Mavrick Artists Agency; Max Freedman Media; Maximum Films & Management; Maya Entertainment Group; Maya Entertainment Group, Inc.; Mayhem Pictures; Mayhem Project, The; MBST Entertainment; MBST Entertainment, Inc.; Mc Squared Entertainment; McCormick & Williams; McDougal Films; McGee Creative; McGuffin Management; McIntosh and Otis, Inc.; McKeon-Myones Management; McLarty Media; Mechaniks; Media 8 Entertainment; Media Artists Group; Media Artists Group Literary; Media Four; Media Nation PMC; Media Rights Capital; Media Rights Capital (MRC); Media Savant Pictures; Media Talent Group; Mediakite; Media-Savvy; Mediastars; Medici, The; Medusa Film; Meg Management; Megalomedia; Mel Stuart Productions, Inc.; Melbar Entertainment Group; Melee Entertainment; Melies; Mendel Productions, Barry; Meno Film Company; Menza-Barron Agency ; Mercer Film Group; Merchant Ivory Productions; Merchant-Ivory Productions; Meredith Vieira Productions; Meridian Artists; Meridian Films; Merv Griffin Entertainment; Messina Baker Entertainment Corporation; Met Film; Metanoia Films; Metatv Productions; Metro International Entertainment; Metropolitan Talent Agency (MTA); Meyer Productions, Patricia; MG Studios; MGM; MGMT Entertainment; MGP, Inc.; Michael Ades Films; Michael Amato Agency; Michael Black Management, Inc.; Michael D. Robins & Associates; Michael De Luca Productions; Michael Einfeld Management; Michael Grais Productions; Michael H. Sommer Literary Agency; Michael Lewis & Associates; Michael Mailer Films; Michael Meltzer & Associates; Michael Meltzer Productions; Michael Productions, Inc., Terence; Michael Siegel and Associates; Michael Taylor Productions; Michael Vine Associates; Michael Wallach Management; Michaelgion; Michaels Literary Agency, Doris S.; Middkid Productions; Midnight Evil Productions; Midwest Talent; Midwest Talent Management, Inc.; Mifune Productions; Mike Lobell Productions; Mike's Movies/Michael Peyser Productions; Milagro Films; Milestone Film & Video; Milestone Films; Milk & Media; Milkwood Productions; Millar/Gough Ink; Millennium Entertainment, Inc.; Millennium Films; Miller/Boyett Productions; Milne Studio; Milojo Productions; Milu Entertainment; Mimran Schur Pictures; Mind Nugget Media; Mindfire Entertainment; Mindframe Films & Management; Mindless Entertainment; Mindshift Productions; Mine; Mirage Holding Studio; Miramax; Miranda Entertainment; Misher Films; Misty Mundae Media; Mitchell K. Stubbs & Associates; MKD Productions; MM Productions; MM Productions (Michelle Manning); Mobius International; Mockingbird Pictures; Mod 3 Productions; Mod3Productions; Mode of 8; ModernCine; Momentum Pictures; Momentum Talent and Literary Agency; Monarch Films; Monarex Hollywood Corporation; Mondo Media; Mongoose Film Productions; Moniker Entertainment; Monkey Business Productions (Vancouver); Monkey Town Productions; Monkeyboy; Monster Productions; Montage Entertainment; Montecito Picture Company, The / Cold Springs Pictures LLC; Montecito Pictures; Monteiro Rose Dravis Agency, Inc.; Moody Street Pictures; Moonlite Filmwerks; Moonscoop US; Moonstone Entertainment; Moore Artists' Management; Moore/Cramer Productions; More / Medavoy Management; Morena Films; Morgan Agency, The; Morgan Creek Productions; Morganstern Entertainment; Morgenstern Entertainment; Morningstar Entertainment; Morton Jankel Zander; Mosaic Media Group; Moshag Productions, Inc.; Motel Films; Motion Picture Corporation of America; Motion Picture Corporation of America (MPCA); Motion Picture Production, Inc.; Mountainair Films; Movie Central; Movie Company, The; Movie Development Corporation; Movie Package Company; MoviFunda Productions, LLC; Moxie Pictures; Mozark Productions; MPH Entertainment, Inc.; MPI Media Group; MPI Productions; MPower Pictures; Mr. Mudd (John Malkovich); Mr. Smoothie Company; Mraovich Productions, Sam; MRB Productions; MRB Productions, Inc.; MRI, Inc.; M's World Corp.; MTI Home Video; MTV Films; MTV Networks; Mulberry Square Productions, Inc.; Muller Entertainment; Multi-Ethnic Talent; Multi-Valence Productions; MultiVisionnaire Pictures; Muraviov Company, The; Muse; Muse Productions; Muse Productions, Inc.; Mushi Productions; Mutiny Universe; Mutual Film Company; MWG Productions; My2Centences; Myriad Pictures; Myster General Production; Mystere Visions Entertainment; Mystic Studios Productions; Mythic Films; Mythology Entertainment; Mythos Studios; N.S. Bienstock, Inc.; Nabu Films; Naggar Literary Agency, Inc., Jean V; Nala Films; Namaste Films; Namesake Entertainment; Nanas Entertainment; Nancy Bevins Films; Nancy Tenenbaum Films; Napoli Pictures; Nash Entertainment; Nash-Angeles; Nasser Entertainment; Nasser Entertainment Group; Nasser Entertainment Group (Canada); Nasser Entertainment Group (LA); National Geographic Films; National Geographic Kids Entertainment; National Lampoon; Natural Selection; Natural Talent, Inc.; Navarro Productions; NBC Entertainment; NCH Entertainment Corp.; Neal Street Productions; Nebula Management; Nehst Studios; Neighbors Entertainment; Neo Art & Logic; Neo Art and Logic; Neoclassics Films; Netflix; Nethercott Agency; Neu-Man-Films; Never A Dull Moment Productions; Neverland Films, Inc.; New Amsterdam Entertainment; New Amsterdam Entertainment, Inc.; New Artists Alliance; New City Pictures; New Concorde; New Concorde (Roger Corman); New Crime Productions; New Eastwood Talent Corp.; New Fierce Entertainment; New Films International; New Generation Films, Inc.; New Horizons Picture Corp.; New Leaf Literary & Media; New Line Cinema; New Pictures; New Real Films; New Regency Productions; New Renaissance Pictures; New School Media; New Wave Entertainment; New York Office; Newcoast Entertainment; Newman Entertainment, Vincent; Newman Productions, Inc., Peter; Newman/Tooley Films; Newmarket Capital Group; Next Level Entertainment; Next Stop Management; Next Wednesday; Nexus Entertainment; Niad Management; Nicholas Ellison Agency, The; Nicholas Loeb International; Nick Grillo Productions; Nick Wechsler Productions; Nick Yellen Creative Agency; Nickelodeon Movies; Nigel Britten Management; Night & Day Pictures; Night and Day Pictures; Night Fox Entertainment; Nightfilm Productions; Nightpantz; Nile Productions; Nine by Nine; Nine Yards Entertainment; Nine/8 Entertainment; Nitestar Productions; No Budget Movie Company; Nobody Productions; Noc Films; Norman Twain Productions; Norsemen Television Productions, LLC; North End Pictures; North of Two Pictures; Northland Productions; Nova Pictures; NT Media Corporation; Nuance Prods. (Paul Reiser); Nubia Filmworks; Number 9 Films; Nuyorican Productions; O Entertainment; O.N.C. Entertainment Inc.; O2 Filmes; Oakdale Pictures; O'Allah Entertainment Inc. & B.U.E.; Objective Entertainment; Occupant Films, LLC; Ocean Productions; Ocean Sky Entertainment; Oceanside Entertainment; Octane Entertainment; Odd Lot Entertainment; Odenkirk Provissiero Entertainment; Odenkirk-Provissiero Entertainment; Off N Running Management (ONR); Off The Kerb Productions; Offerman Entertainment; Offroad Entertainment; Offspring Entertainment; Ofrenda, Inc.; Oil & Water Productions; Oil Factory, Inc.; Okun Productions, Sam; Old City Entertainment; Olive Bridge Entertainment; Oliver Productions, Lin; Olivia Bell Management; Olmos Productions, Inc.; Olympus Pictures; O'Malley Productions; Omantra Films; Ombra Films; Omega Entertainment; Omnibus; Omnipop Talent Group; Omniquest Entertainment; Omniquest Media; On Stilts Productions; On The Lam Productions; On Time and Sober Productions; Once Upon A Time Films; Once Upon A Time Films, Ltd.; One Entertainment; One Eyed Films; One Race Films; One Roof Entertainment; One Step Productions; One Talent Management; OneZero Films; Online Talent Group/Schuller Talent; Onstream Partners; Onward and Sideways Productions; Ooze Talent & Literary Agency; Open City Films; Open Jar Films; Open Road Films; Opening Night Productions; Opine Entertainment; Oracle Creative Management; Oracle Creative Management (NY); Orange Grove Group; Orbit Films; Orbit Pictures; Orchard Films; Origin Talent; Original Artists; Original Film; Original Films; Orlando Quinn Productions; Orly Adelson Productions; Osbrink Talent Agency; O'taye Productions; Out of the Blue Entertainment; Out of the Blue...Entertainment; OutaSite New Media Studios; Outerbanks Entertainment; Outlaw Josie Films; Outpost Films; Outrider Pictures; Ovation Management; Over The Hill Gang, The; Overseas Filmgroup / First Look Pictures; Overture Films; Overture Films (LA); Overture Films (NY); P.K.A. Entertainment Group; Pacific Entertainment; Pacifica International Film & TV Corp.; Pack, The; Paid Our Dues Productions; Paige Associates, Inc., George; Pakula/King & Associates; Palisades Pictures; Palmstar Entertainment; Panamax Films; Pandemonium ; Pantheon; Paper Street Films; Paradigm; Paradigm (LA); Paradigm (NY); Paradigm Studio; Paradox Productions Inc.; Parallel Entertainment, Inc.; Parallel Media; Paramount Classics; Paramount Pictures; Paramount Pictures Production Division; Paramount Vantage/Classics; Paratrooper Movieworx; Paratrooper Movieworx LLC; Parlay Media; Parseghian Planco, LLC; Participant Productions; Partizan; Patchett Kaufman Entertainment; Patey Talent Management; Pathe Pictures; Pathfinder Pictures; Patriot Pictures; Paul Hardart; Paul Kohner; Paul Kohner, Inc.; Paul Lane Entertainment; Paul S. Levine Literary Agency; Pavia Management, Ria; Payaso Entertainment; PB Management; Peace Arch Entertainment Group Inc.; Peace Arch Entertainment Group, Inc.; Peace By Peace Productions ; Peaceful Warrior Productions; Pearl Pictures; Pearl Pictures Management; Peculiar Films; Pelagius Films; People Store; Perilous Pictures; Periscope Entertainment, LLC; Perry Katz Productions; Persistent Entertainment; Peter Associates, Inc., James; Peter Giagni Management, Inc.; Peter Golden & Associates, Inc.; Peter Hankwitz Production & Management; Phoenix Artists; Phoenix Organization, The; Phoenix Pictures; Picture This Television, LLC; PicturePlay Films; Pierce Company, The Frederick S. ; Pierce Williams Entertainment; Piller/Segan/Shepherd; Pinata Productions & Management; Pipeline Talent; Piranha Pictures; Pitt Group, The; Pixar Animation Studios; Plastercity Productions; Platinum Dunes; Platinum Studios; Platinum Studios, Inc.; Play Management; Playtime Productions; Plum Pictures; Plumeria Entertainment Management; PMA Literary & Film Management, Inc.; Point Zero Seven, LLC; Polaris Entertainment; Pollywog Entertainment (Andy Dick); Poor Boys Productions; Popular Arts Entertainment; Popular Arts Entertainment, Inc.; Populuxe Pictures; Porchlight Entertainment; Port Magee Pictures; Port Magee Pictures Inc.; Portergeller Entertainment; Portman Film & Television; Possibility Pictures; Potboiler Productions; Power Entertainment; Precis Productions; Preferred Artists; Prelude Pictures; Premier Attractions; Premiere Talent Management; Prestige Talent Agency; Preston Stephen Fischer Company; Pretty Dangerous Films; Pretty Disgusting; Price Entertainment, Inc.; Primary Wave Entertainment; Principal Entertainment; Principal Entertainment (LA); Principal Entertainment (NY); Principato-Young Entertainment; Principato-Young Management; Pritcher Company, The; Pro and Con Productions Talent Management; Process Media; Prodigy Talent; Producers Group; Professional Artists; Program Partners; Promark Entertainment Group; Prometheus Entertainment; Prospect Pictures; Protege Management; Protocol Entertainment; Publish Or Perish Agency, Inc.; Pukkanasha Films; Pulsion Design; Pure Arts; Q Media Partners; QED International; Quantum Leap Corporation, The; Quattro Media; Quinn Media Management; Quinn Productions; Quinta Communictions USA; Quorum Entertainment; QVF Inc.; Rabineau Wachter Sanford & Harris Literary Agency, The; Rabineau Wachter Sanford & Harris Literary Agency, The (RWSH); Rabiner/Damato Entertainment; Radar Pictures; Rader Productions; Radio...With Pictures; Radmin Company, The; Rage Entertainment; Rain Management Group; Rainbow Releasing & Film Company; Rainstorm Entertainment; Rainstorm Entertainment Inc.; Rainstorm Entertainment, Inc.; Rakontur; Random House Films; Ransom Productions; Rat Entertainment; Rat Entertainment / Rat TV; Rat Entertainment / Rat TV (Brett Ratner); Raw Talent; Read.; Realitory; Rebel Entertainment Partners, Inc.; Rebel Films; Rebellion 4 Entertainment; RebelStone Productions; Recorded Picture Company; Red Baron Management; Red Cup Production House; Red Diamond Company; Red Harvest Entertainment; Red Hook Films; Red Horse Films; Red Hour Films; Red Management; Red Planet Entertainment; Red Productions; Red Productions (NY); Red Productions (TX); Red Rose Media; Red Shogun Pictures; Red Talent/Literary Agency; Red Wagon Entertainment; Redcup Production House; Red-Horse Productions; RedTip Media; Reece Halsey North; Reel Life Women; Reel World Management; Rees Associates, Marian; Regency Enterprises; Regent Entertainment; Regent Entertainment Inc.; ReignDeer Entertainment; Relativity Media, LLC; Relativity Media; Relevant Entertainment Group; Relish Productions; Remember Dreaming Productions; Renee Missel Management; Renegade Animation; Renfield Productions; Renfield Productions (Joe Dante); Renfield Productions (Joe Dante); Reuben Cannon & Associates; Reveille, LLC; Revelations Entertainment; Reverse Angle International (Wim Wenders, Peter Schwartzkopff); Revolution Films; Revolution Studios; Revolution Studios (Joe Roth); Reynolds Entertainment; RG Entertainment; RHI Entertainment; Rice & Beans Productions; Rice Films; Richard Brustein Entertainment; Richard Schwartz Management; Rick Berman Productions; Ricochet Entertainment; Rigberg Entertainment Group; Rights Unlimited; Rip Cord Productions; Rival Agency, The; Rive Gauche Entertainment; River One Films; River Road Entertainment; Rivet Entertainment; RJM/Renee Jennett Management; RJN Productions; RKO Pictures, LLC; RMG ; RMG (NY); Road Rambler Films; Roadkill Films; Roadside Attractions; ROAR; Robbins Entertainment; Robert A. Freedman Dramatic Agency; Robert Cort Productions; Robert D. Wachs Company, The; Robert Thorne Company, The; Roberts/David Films, Inc.; Robinson/Sherman Pictures; Rocket Science Laboratories; Rocket Science Labs; Rockstone Pictures; Rogers Hartmann Literary; Rogue Arts; Roman Empire Films; Romano Modeling & Talent Agency, Cindy; Ron Ziskin Productions; Rona Edwards Productions/ES Entertainment; Ronald S. Dunas Productions; Room 101, Inc.; Room 9 Entertainment; Room 9 Entertainment LLC; Rosalie Siegel International Literary Agent, Inc.; Rose Productions, Lee ; Ross Management, Jeff; Rosswwmedia Corporation; Rothman Brecher Agency, The; Rothman/Andres Entertainment; Rothman/Patino/Andres Entertainment; Rough Diamond Management; Rough Diamond Productions; Rough Draft Studios; Roxbury Films; RSF Productions; R-Train Management; Ruby Films; Ruby-Spears Productions; Ruda Enterprises; Ruddy Morgan Organization, Inc., The; Rudin Productions, Scott; Rumble Media; Rupert Productions; Russell & Volkening; Saffron Management; Safran Company; Sagafilm; Sager Management and Entertainment, Inc.; Sainou; Saltire Entertainment; Saltmill Productions; Salty Features; Salvatore/Ornston Productions; Samson Films; Samuel Goldwyn Films; Samuel Goldwyn Films (LA); Samuel Goldwyn Films (NY); Samuel Oriti Productions; Samy Boy Entertainment; Sanctuary; Sander/Moses Productions; Sander/Moses Productions, Inc.; Sanders Productions, Scott; Santa Monica Pictures; Saphier Productions; Saturn Films; Savage Agency; Savage Agency, The; Saxon Productions (ESP), Edward; SB Enterprises, LLC; Scarlet Fire Entertainment; Schachter Entertainment; Schechter Company, Irv; Schiff Company, The; Schiff Productions, Paul; Schiowitz, Connor, Ankrum & Wolf, Inc. (NY); Schiowitz, Connor, Ankrum, Wolf, Inc. (LA); Schramm Group, The; Schumacher Management; Score! Media Ventures; Scott Carlson Entertainment Inc.; Scott Free Productions; Scott Free Productions (Ridley Scott & Tony Scott); Scott Hart Entertainment; Scout Film; Screen Gems; Screen Partners, Inc.; Screen Talent Agency, Ltd., The; Screen Vision; Scribblers House LLC Literary Agency; ScriptStar Pictures; SE8 Group; Seaside Productions; Seed Productions; See-Saw Films; Sekret Agent Productions; Sekretagent Productions; Selzer-Lang Productions, Liz; Senator Entertainment; Senator Entertainment, Inc.; Senza Pictures; Seraphim Films; Serendipity Point Films; Serendipity Productions; Seven Arts Pictures; Seven Summits Pictures & Management; Shadow Entertainment; Shadowcatcher Entertainment; Shadowmachine; Shamon Freitas Model & Talent Agency; Shanahan Management; Shapiro/West & Associates, Inc.; Shapiro-Lichtman Talent Agency, Inc.; Sharp Independent At Harpercollins; Shatter Glass Productions; SHC-Entertainment; Sheldon Prosnit Agency; Shelter Entertainment; Sheree Guitar Entertainment; Shine Productions, Ltd.; Shoe Money Productions; Shoot Productions; Shore View Entertainment; Shoreline Entertainment Management; Shoreline Entertainment, Inc.; Showbuzz; Showtime Networks Inc.; Showtime Networks Inc. (LA); Showtime Networks Inc. (NY); Shukat Company, Ltd., The; Shuman Company, The; Sid & Marty Krofft Pictures; Sidetrack Films; Sidney Kimmel Entertainment; Sidney Kimmel Entertainment, Sidney; Siegal Company, The; Sienna Films; Siete Machos Films; Signature Films/ Millennium Dance Complex; Signature Pictures; Silent R Management; Silver Bitela Agency; Silver Dream Productions; Silver Lining Entertainment; Silver Lion Films; Silver Pictures; Silverline Entertainment; Silverline Pictures; Silvermine Entertainment; Silvers/Koster Productions, Inc.; Simmons Lathan Media Group; Simon Banner Associates; Simon West Productions; Simonds Company, The Robert; Simons Productions, David A.; Simsie Films/Media Savant Pictures; Sirensong Entertainment, Inc.; Sirk Productions; Sittenfield Management, Joan (JSM); Sitting Ducks Productions; SITV; Sixth Borough Entertainment; Sixth Way Productions; Size 9 Productions; SK Management; Skippy Dog Productions; Skye Island Entertainment; Skylark Films; Skyline Pictures; Skyward Motion Pictures; Slamdance Management; Slamdance Media Group ; Slater Brothers Entertainment; Sleeping Giant Entertainment; Slingshot ; Slipnot! Productions/SPG; Smart Entertainment; Smash Media, Inc.; Smoke House; SMS Talent; Smuggler Films; Smuggler Films (LA); Smuggler Films (NY); Snapdragon Films; Sneak Preview Entertainment; Snoot Entertainment; Sobini Films; Social Capital Films; Soiree Fair, Inc.; Solaris; Solipsist Films; Solo One Productions; Somers Mauldin The Rose Group; Somersault Films; Sommers Company, The; Sonesta Entertainment; Sony Classics; Sony Pictures Television; Sorehead Entertainment; South Creek Pictures; South Productions; Sovereign Talent Group; Spacedog Entertainment; SPC Productions, LLC; Spectrum Entertainment; Spellman Entertainment Partners; Spellman Entertainment, Christopher; Spellman-Paul Entertainment; SPG; Spice Factory; Spike TV; Spirit Lake Pictures; Spitzer Literary Agency, Inc., Phillip G.; Springboard Films; Springboard Films, LLC; Spyglass Entertainment; Squared Foot Productions; SRG Productions; St. Amos Productions; Stagecoach Entertainment; Stagescreen Productions; Stallion Media ; Stallion Media, LLC; Stampede Entertainment; Stanley Chase Productions; Star Harbor Films; Starcraft Talent Agency; Stargate Entertainment; Starlight Pictures; Stars Road Entertainment; Stars, The Agency; Starway International; Starwil Talent; State Street Pictures; Station 3; Station 3 (LA); Station 3 (NY); Steam Powered Studios; Steamroller Productions; Steamroller Productions (Steven Seagal); Stefanie Epstein Productions; Stein Agency, The; Stein Entertainment Group; Steinberg Talent Management Group; Stephanie Rogers & Associates; Stephen Pevner Inc.; Sterling/Winters Company, The; Stevens Company, The; Stewart Talent; Stick Figure Productions; Stiletto Television; Stillwater Films; Stone Canyon Media; Stone Manners Salners Agency; Stone Manners Salners Agency (LA); Stone Manners Salners Agency (NY); StoneBrook Entertainment; Stonefield Productions; Story And Film, Inc.; Story Arts Management; Storyline Entertainment; Storyopolis Productions; Storytime Films; Straight Up Films; Straightawaymovies; Strauss-McGarr Entertainment; Stray Dog Films; Stubbs & Associates, Mitchell K.; Studio De Vaan; Studio Talent Group; Sub Rosa Productions; Subias; Suite A Management Talent & Literary Agency; Summerland Entertainment; Summit Entertainment LLC; Suncoast Film Group LLC; Sunset Canyon Productions; Sunset Pictures; Suntaur Entertainment; Superb Entertainment; Susan Graw and Associates; Susan Schulman Literary Agency; Sussex Ltd., Inc., A Management Company; Suzanna Camejo & Associates; Suzanne Bauman Productions; Suzanne DeLaurentiis Productions; Suzelle Enterprises; Sweeney Entertainment; Sweeney Management; Sweet Dreams Production; Sweet180; Sylvia Ferguson Talent & Literary Agency; Symbolic Entertainment; Symphony Pictures, Inc.; Synchronicity Management (LA); Syncopated Films; T&C Pictures; T.J. McMurdo Management; TAG Entertainment; Tagline Pictures; Tailfish Productions; Talent House; Talent House LA; Talent Management Partners; Talent Representatives, Inc.; Talent Scout Communications; Talent Scout International Management; TalentWorks; TalentWorks New York; Talisman Pacific; Talking Wall Pictures; Tamara Asseyev Productions; Tami Lynn Productions; Tantamount Studios; Tapestry Films Inc.; TapWater Entertainment; Taran Company, The; Tashtego Films; Taurus Entertainment Company; Taylor Made Films; TCA/Jed Root; TCD Films; Team Todd; Ted Borden & Associates, Inc.; Ted Fox Productions; Teicholz Productions, Tom ; Teitelbaum Artists Group; Telling Pictures, Inc.; Tempest Entertainment; Temptation Management; Ten 2 One Entertainment LLC; Terra Bella Entertainment; Terra Firma Films; The Artists' Colony; The Asylum; The Axelrod/Edwards Company; The Cartel; The CW Television Network; The Donner's Company; The Duncan Group, Inc.; The Goldsmith Company; The Literary Group; The Marshak/Zachary Co.; The Mount Company; The Robert Mitnik Agency; The Sommers Company; The Steve Tisch Company; The Wolper Org.; The Work Room Productions; Third Floor Productions Limited; Thirdhill Entertainment; This Is That Corporation; Thousand Words; Three Six Zero Group; Thrive Entertainment; Thruline Entertainment; Thunder Road Pictures; Thunderbird Pictures; Tidewater Entertainment; Timothy Marx Productions, Inc.; Tinoco Management; Titan Worldwide Entertainment; Titmouse, Inc.; TLC Entertainment; TMC Mediaworks; TMCO; TMT Entertainment; Together Brothers Productions; Tollin/Robbins Productions; Tollins/Robbins Productions; Toltec Artists; Tom Sawyer Entertainment; Tommy Boy Films; Tomorrow Film Corporation; Torn Sky Entertainment; Tornante Company, The; Torque Entertainment; Totem Productions; Touchy Feely Films; Touchy Feely Films (Paul Giamatti); Tower of Babble Entertainment; Trancas International Films; Trancas Management; Travesty Productions; Treasure Entertainment; Trevor Macy Productions; Triage Entertainment; Tribeca Productions; Tribeca Productions (Robert De Niro); TriCoast Studios; Tricor Entertainment; Tri-Core Entertainment LLC; Trident Media; Trident Media Group, LLC; Trillion Entertainment; Trilogy Entertainment Group; Trivision Pictures; Troika; Troika Pictures; Troma Entertainment, Inc.; True Talent Management; Trueba Media; Tudor Management Group; Tule River Films; Turman Picture Company Inc., The; Twentieth Century Fox; Twilight Pictures; Twin Bros. Productions; Two Brothers Entertainment, LLC.; Two Islands Entertainment; Two Ton Films; Unanimous Pictures; Underground Films; Underground Management; Unified Management; Unified Pictures; Union Entertainment; Unique Features; Unique Features (LA); Unique Features (NY); United Agents; United Artists Agency; United Sisters Film Production; United Talent Agency; United Talent Agency (UTA); Unity Communications; Universal Pictures; Unleashed Cinema; Unpainted Pictures; Untitled Entertainment; Upfront Productions; Urban Entertainment; Urge Artists; Valhalla Motion Pictures; Vanguard Films; Vanguard Management Group; Vanguard Productions; Vanguard Talent Management; Varsity Pictures; Velocity Entertainment Partners; Velocity Management; Veltre Company, The; Venture IAB; Verite Films; Vertigo Entertainment; Vertigo Films; Verve; Verve Talent & Literary Agency; Verve Talent and Literary Agency; Victor Kruglov & Associates; Victoria Sanders & Associates, LLC; Vienna Productions; View Askew Productions, Inc.; Villard Productions, Dimitri; Vincent Cirrincione Associates, Ltd.; Vines Agency, Inc., The ; Visceral Films; Vision Art Management; Visionary Entertainment; Visionary Management; Vital Pictures; Viviano Feldman Entertainment; Vizion Productions; Von Zerneck-Sertner Films; Von Zernekc-Sertner Films; VOY Pictures; VU Music Talent Management; Waddell Productions/Management, R. Lee; Walden Films; Walden Media; Walker/Fitzgibbon Films; Walker/Fitzgibbon TV/Films; Waltzing Clouds, Inc.; Warden McKinley Literary Agency; Waring and McKenna; Warner Bros.Television; Warrior Poets; Washington Square Arts & Film; Washington Square Films; Water Street; Watermark Pictures; Watershed Films; Watkins/Loomis Agency; Watkins/Loomis Agency, Inc.; Wauhob Agency, Donna; Waverly Films; Waving Clouds Productions; Wax Co., The; Wayans Brothers Productions; Wayne Agency, The; Weed Road Pictures; Weekend Films; Weil Agency, Inc., The Wendy; Weinstein Company, The; Werc Werk Works; West Productions, Simon; Westberg Entertainment; Wheelhouse Entertainment; Whitaker Entertainment; Whitewater Films; Whyaduck Productions; Wigram Productions; Wild Heart Productions; Wild Lunch Productions; Wildbrain Animation Studios; Wildrice Productions; Wildwell Films; Wili Baronet/Wilmark Entertainment; Will Entertainment; William Kerwin Agency; William Morris Endeavor Entertainment; William Morris Endeavor Entertainment (LA); William Morris Endeavor Entertainment (NY); Williams Agency; Williams Entertainment, Pierce; Wilson Productions, Brad; Wilson/Woods Productions; Winchester Films; Winchester Productions, Margot ; Winer Company, The; Wingman Productions ; Winsome Productions; Winter Road Entertainment; Winter's Bone Productions; Wisenheimer Films; Witt Productions, Dan; WJ Robinson; WM. Clark Associates; Wolf Films, Fred; Wolfrom Productions; Wolper Organization, The; Wonderfilms; Wonderland Productions; Workerbee Films; Working Title Films; World International Network; World Of Wonder Productions; WorldFlix, Inc.; Worldview Entertainment; Worldwide Biggies; Worldwide Media Conspiracy; Worldwide Pants; Worldwide Production Agency; Wright Entertainment, Inc.; Writ Large; Write Place, Write Time; Writers House; Writers' Representatives; WWE Films; WWE Studios; X Filme Creative Pool GMBH; Xingu Films; XOXO; XYZ Films; Yari Film Group (YFG); Yellow Brick Road, Inc.; York Company, The; Zachary Shuster Harmsworth Agency (Boston); Zachary Shuster Harmsworth Agency (NY); Zadeh & Associates, Stella; Zane Buzby & Conan Berkeley Productions; Zane W. Levitt Productions/Zeta Entertainment; Zanuck Entertainment; Zanuk Entertainment; Zaring/Cioffi Entertainment; Zentropa; Zephyr Films Ltd.; Zephyr Productions; Zero Gravity; Zero Gravity Management; Zero Pictures; Ziggy Entertainment; Zinkler Films; Zokalo Entertainment; Zollo Management, Gregg ; Zucker Productions; Zuckerman Entertainment; ZVI Howard Rosenman Productions


Script Marketplace

Hollywood can't come knocking on your door if they don't know where you live, so set up home in our Script Marketplace, it's open 24/7. We know there’s nothing harder than trying to get your screenplay into the hands that matter: the studios, production companies, agents and industry execs that can make things happen for you. You know your screenplay is good, if only you could get someone to read it!! Very few people in town will look at an unsolicted screenplay i.e. a screenplay that has been sent by the writer themselves and not through an agent/manager or producer.

Submit your logline (pitch), synopsis and, if you choose, the first ten pages of your screenplay to our online Script Marketplace and let everyone come to you. We only allow industry professionals to access our Script Marketplace. Once inside, they browse by selected genre through the loglines & synopses on offer, and request your screenplay directly from you or your agent. The choice is yours. This allows you to keep track of who is requesting your work and ensure that your material is sent out in a timely and professional manner.

Example Script Marketplace Listing       Example Script Marketplace Search Form


Writer's Rolodex

If you've ever wanted your own private rolodex with all the numbers in Hollywood that matter, it's here. With contact details for 5,467 production companies, independent producers, literary agencies, managers and studios, plus the pro-active 'My Contacts' feature.

'My Contacts' is a unique feature that will truly turn this into your own private Hollywood Rolodex. Now, every time you send a query, make a contact and/or send your script out, you can add that information to your 'My Contacts' section with the press of a button and keep tabs on your writing career. You can also add notes about who requested your script, when to follow up and any other useful info that will keep you on track. It's both private and personal.


Promotion FREE!

If you submit your screenplay for coverage and/or development notes and you receive a “consider” grade from our professional readers, then we will place your screenplay in our online Script Marketplace for six months and add one Script Express, email marketing campaign, free of charge. The "consider" grade will be placed alongside your screenplay title and acts as a signpost to the visiting Hollywood executive.

If you receive a "recommend" grade, then not only do we offer our online Script Marketplace free for six months, but we also add two Script Express email marketing campaigns for your work.

Coverage Report

A coverage report is a tool used by the Hollywood executive to determine which scripts they will read and has the power to generate a "yes" or "no". The problem is, you'll never see that coverage report. It doesn't leave the Hollywood executive's desk and you're left wondering why your script didn't make it through. Don't take that risk and blow your chance. Why not see what your coverage report will look like first? Hollywood doesn't read a script twice!

Our professional readers have worked for the top studios, agencies and producers in Hollywood. We assign your screenplay to a personal reader who will provide analysis and generate a coverage report. A coverage report consists of a logline (your story in a nutshell), a synopsis, which details the events of your story from beginning to end, and analysis where the reader describes what worked, what didn't and the final grade: Recommend, Consider or Pass.

Any material that enters the Hollywood system gets tracked and if one major studio or producer passes, the negative feedback can spread like a ripple on a pond and your work is soon dead all over town. Don't give them a chance to say "no", hit them with your best possible work, the first time.

Your coverage report is private, no-one else will ever see it. We e-mail it directly to you. Our turnaround time for coverage is 10-12 business days.

If you order a Coverage Report online, we can accept your screenplay via email in Adobe Acrobat, Microsoft Word, Wordperfect, Rich Text, Plain Text, Final Draft, Scriptware or Movie Magic Screenwriter format.

Click here for a sample coverage report (in Adobe Acrobat Format).

Proofreading Notes

Don't submit a screenplay until it's ready to be seen! Let us be your second set of eyes. We'll do a careful review of your work to get it ready to submit to the industry at large. We will catch your spelling, grammatical and formatting errors. This will ensure that you present a polished, professional screenplay to potential buyers.

Any material that enters the Hollywood system gets tracked and if one major studio or producer passes, the negative feedback can spread like a ripple on a pond and your work is soon dead all over town. Don't give them a chance to say "no", hit them with your best possible work, the first time.

Your proofreading notes are private, no-one else will ever see them. We email them directly to you. Our turnaround time for proofreading notes is 10-12 business days.

If you order Proofreading Notes online, we can accept your screenplay via email in Adobe Acrobat, Microsoft Word, Wordperfect, Rich Text, Plain Text, Final Draft, Scriptware or Movie Magic Screenwriter format.

Story Development Notes

Studio style development notes are approximately five to eight (5-8) pages long and address the main elements of your work. These notes are incisive and supportive. They offer constructive criticism and in-depth analysis, including: identifying and analyzing story problems, story logic, character development and structural concerns. If you don't want to waste any time in getting your screenplay ready for Hollywood, cut right to the chase and get these - you'll find them invaluable. These notes are private, no-one will ever see them. The notes are e-mailed directly to you.

Make sure your script is in top form. Don’t send it out into Hollywood until you’re absolutely sure it’s the best it can be. You only get one chance to make that first impression and convince the reader (Hollywood’s doorkeeper) or industry professional that this is the script they want to push forward. Studios and production companies can receive anywhere from 50 to 100 submissions and up per week, so your script has to be professional in order to stand a chance and well developed in order to stand out!

Competition in Hollywood is stiffer than ever and studios are becoming unwilling to nurture a project through development, ie they are insisting on screenplays that are camera ready. Do the work now and give your script the best advantage by using our development notes!

Treatment Notes

Are you thinking about writing a script, but you're not sure about the direction to take, the feasibility of your plot, or if your script will even be interesting to buyers once written? If you are, then this is the service for you. Don't waste valuable time, let us analyze your treatment and provide you with constructive feedback on the main elements: storyline, feasibility, marketability and point you in the right direction. These notes are a great timesaver and may even take you in a whole new and improved direction.

(A treatment is your story concept, plot, basic characters etc, normally laid out over 20-30 pages or less - a treatment can be registered with the WGA or United States Copyright Office - always protect your work!)

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